1493: How Europe’s Discovery of the Americas Revolutionized Trade, Ecology and Life on Earth, by Charles C Mann, Granta
Reviewed by Marek Kohn, Financial Times
In hindsight, 1492 might have been a good point at which to reset the calendar. Traditionally, the year in which Columbus discovered America is seen as the moment Europe began to shape a New World. Today it looks more like the start of a process that has stitched the drifting continents back together: 1492 was the Year Zero of globalisation, and 1493 was Year One.
It has been a thrilling and frequently catastrophic ride for humankind ever since, and science writer Charles C Mann’s excitement never flags as he tells his breathtaking story. His account enshrines Columbus as a founding father of globalisation, and recognises that its effects have been as much biological as economic. Here he borrows from the historian Alfred W Crosby, who in 1972 coined the phrase “Columbian Exchange” to describe the traffic of species between continents. The term is elegant, but the exchange was often anything but equitable. Europe sent malaria to the Americas; in return the Americas gave Europe a cure, the Andean cinchona bark from which quinine is derived.
Mann’s argument, in which human history is considered in the light of ecology and vice versa, adopts the approach epitomised by the scientist Jared Diamond’s Guns, Germs and Steel. (It also follows on from Mann’s earlier book 1491, which was about the Americas before Columbus crossed the Atlantic.) But although much of his narrative is inevitably devoted to the relentless violence that enforced the Columbian Exchange, and the pestilences that accompanied it, his sources of inspiration are often closer to home. How, he wonders, did a variety of tomato bred in Ukraine come to be cultivated in New England? And how did tomatoes travel north from the Andes to Mexico, where they were brought to a level of palatability that has made them indispensable to the cuisine of, among other places, Italy? In the Philippines, children sing a song about an idealised garden that lists 18 plants, every one of which was introduced from Africa, the Americas or east Asia. “Far from being an exemplar of age-old custom,” Mann observes, “it is a polyglot, cosmopolitan, thoroughly contemporary artifact.”
To Read More…